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Postcards from Athens

PHOTOGRAPHY, PUBLIC INTERVENTION, 2010-2017

Postcards from Athens takes its title from the popular #postcardsfrom_x hashtag, commonly used on social media to accompany idealized, colorful images shared by travelers. The project subverts that gesture, replacing the polished imagery of leisure with an unfiltered record of a city marked by crisis.

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Composed of black-and-white photographs shot in Athens between 2010 and 2016, the work documents the visible traces of the economic and social collapse that reshaped both the urban landscape and the lives within it. The photographs were taken on a mobile phone using an application that mimics the framing and tonal qualities of medium-format film. At the time, I was working extensively with medium-format cameras and shooting exclusively in black and white - a way of seeing that had become instinctive. The app offered a practical continuity: precise exposure, quick operation, and the ability to maintain the same visual discipline under limited means.​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​

From hundreds of images, forty-five were selected and printed as postcards - dystopian souvenirs that circulated freely across cities. Distributed guerrilla-style in galleries and museum shops in London and Athens, they were offered for anyone to take, send, or keep - fragments of a city reimagined through absence and resilience.​ An open edition of a handmade publication supported the ongoing production and free distribution of the postcards.​​​

The work was shortlisted for OPEN16 Solo (Brighton Photo Fringe 2016) and received the Danny Wilson Memorial Prize (People’s Choice Award, Brighton Photo Fringe). It has been exhibited in multiple book fairs and events across the UK, including the Photo Publishers’ Market (Photo Fringe & Photo Biennial 2016, Brighton), Photobook Fair 2016 (Impressions Gallery, Bradford), Encountering Pain Conference (UCL, London), The Small Press Project at the North Lodge (UCL, London). In March 2018, the publication was featured in Spectacular Atrophy 01803, an independent publishing exhibition in Taipei, organized by Batonic Projects, and in March 2019, again by the Batonic Project, at the Barrak Art Book Fair, in Okinawa. 

         

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