To film without purpose, guided solely by the act itself, is to engage in a practice of discovery - a quiet rebellion against linearity and intent. 

What seems arbitrary in the present may, in time, reveal an unexpected coherence, transformed into a narrative charged with meaning.

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This piece captures a fleeting, reflective moment at the culmination of a solitary three-hour hike to Ham Tin Wan, nestled in the rugged eastern landscape of Sai Kung, Hong Kong. 

 

Adieu serves as a personal farewell to Jean-Luc Godard. The inclusion of an excerpt from Two or Three Things I Know About Her evokes the filmmaker’s enduring exploration of the quotidian, rendering the ordinary as a site of profound introspection. Through this lens, the act of filming becomes an open invitation to reconsider the fragments of our own existence. 

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